Neubau Überbauung «REXMAX» Thun
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Objekt / Baujahr : Überbauung «REXMAX» mit Misch-Nutzungskonzept Thun, 2013–2014
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Architekt / Bauherrschaft : Holzer Kobler Architekturen Zürich, CS Anlagestiftung Real Estate, Losinger Marazzi AG Bern
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Fenster / Türen: Softline 82 MD weiss, grosse 2-flg. Balkontüren, grosse Loggiafronten
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Vorgaben: U-Wert Fenster 0.86, Isolierglas 0.6, Schallschutz Rw 42 dB, Einbruchschutz Widerstandsklasse RC 2
01. Intro
Guide to the Nørebro
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oilpainting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed.
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02. The Brief
Guide to the Nørebro
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oilpainting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed.
Make Concept
When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary.
Prototyping & Design
When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary.
Web Development
When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary.
03. Usage
Guide to the Nørebro
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oilpainting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed.